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The AIA gratefully
acknowledges the
following sponsors
of our 150th Anniversary
celebration:

 
  Founders Circle:
$1,000,000:


McGraw-Hill
Construction,
Official Media
Sponsor

Autodesk,
Official Software
Sponsor
 
 
 
  Gold $500,000 – $999,999:

HKS, Inc.

NBBJ

Silver $250,000 - $499,999:

AIA Board of Directors

Deltek, Inc.

DLR Group, Inc.

Haworth, Inc.

Hellmuth Obata & Kassabaum, Inc.

Perkins+Will

RTKL Associates, Inc.

Satellier, LLC

Thompson Ventulett Stainback & Associates, Inc.

Victor O. Schinnerer & Co., Inc. 

SHW Group LLP

Zimmer Gunsul Frasca Partnership

Bronze $100,000 – 249,999:

Bank of America

Bentley Systems, Inc.

Stephen B. & Lisa S. Bonner

Clark Construction Group, LLC

Cooper Carry Charitable Foundation, Inc.

Hanley Wood, LLC

HGA

HMC Architects

Little

OWP/P Architects, Inc.

Pei Cobb Freed & Partners Architects, LLP

SmithGroup, Inc.

Swanke, Hayden, Connell Architects, LLP

Granite $50,000 - $99,999:

ADD, Inc.

BWBR Architects, Inc.

Cannon Design

FreemanWhite, Inc.

Reed Construction Data

Marble - $25,000 - $49,999:

AIA Trust

Craig Beale, FAIA, FACHA

Nunzio DeSantis, AIA

Brian Dougherty, FAIA & Betsey Dougherty, FAIA

GBBN Architects, Inc.

H. Ralph Hawkins, FAIA, FACHA

John J. Hoffman, FAIA

Norman Koonce, FAIA & Suzanne Koonce, Hon. AIA

Miller | Hull Partnership

Munger Munger Architecture

Shepley Bulfinch Richardson and Abbott, Inc.

Ronald L. Skaggs, FAIA, FACHA

Victor F. Trahan III, FAIA

R. Randall Vosbeck, FAIA, & Phoebe Vosbeck

TRO Jung | Brannen

WHR Architects, Inc.

Special Friends of AIA - $10,000 - $24,999:

Altoon + Porter Architects

Anderson Mason Dale Architects, PC

John Anderson, FAIA, & Flodie Anderson

Noel Barrick, AIA

Barron, Heinberg & Brocato

Bobby Booth, AIA

Michael Broshar, FAIA, & Mary Broshar

Joe Buskuhl, FAIA

Tommy Cowan, FAIA, & Ann Cowan

Louis de Moll, FAIA

Helene Combs Dreiling, FAIA

James H. Eley, FAIA

Eskew + Dumez + Ripple, Studio EDR

Glenn Fellows, AIA

GouldEvans

Marion L. Fowlkes, FAIA

FRCH Design Worldwide

Ron Gover, AIA

Donald J. Hackl, FAIA

Ernest Hanchey, AIA

Heller Manus Architects, Inc.

Dan Jeakins, AIA

Chuck Means, AIA

Mike Menefee, AIA

Morris Architects

Dan Noble, FAIA, FACHA

Marshall Purnell, FAIA

Freddy Roberts, AIA

Miguel Rodriguez, AIA, & Lourdes Rodriguez, AIA

Kate Schwennsen, FAIA, & Barry Jones, AIA

Joseph Sprague, FAIA

Douglas L Steidl, FAIA, & Sue Steidl

Norman Strong, FAIA, & Susan Strong

Bryce A. Weigand, FAIA

Enrique A. Woodroffe, FAIA/Woodroffe Corporation Architects

Special Donors - Up to $10,000:

Architecture by Norbert Peiker, LLC

Newell Arnerich, AIA

Arrowstreet, Inc.

Edward Abeyta, AIA

Ronald Arthur Altoon, FAIA

Peter J. Arsenault, AIA

Jim Atkins, FAIA, KIA

Danny P. Babin, AIA

Donald R. Barsness, AIA

Ronald J. Battaglia, FAIA & Sandra Battaglia 

Ronald P. Bertone, FAIA

William Beyer, FAIA

Robert R. Billingsley, AIA

Elmer Botsai, FAIA

Jay and Michelle Brand

Leon Bridges, FAIA

Thomas D. Briggs, AIA

Robert Broshar, FAIA

David J. Brotman, FAIA

John A. Busby, Jr., FAIA

H. Kennard Bussard, FAIA

Richard E. Carroll, AIA

Stephan Castellanos, FAIA

Lorenzo Castillo, AIA

L. William Chapin II, FAIA

Matthew Clear, AIA

CMSS Architects P.C.

Douglas J. Compton, AIA

Jess Raymond Corrigan, Jr., AIA

Anthony J. “Tony” Costello, FAIA

David Crawford

Sylvester Damianos, FAIA

Ronald W. Dennis, AIA, ACHA

Brian J. Eason, AIA

Jeremy Edmunds, Assoc. AIA

Elliott + Associates

Robert J. Farrow, AIA

S. Scott Ferebee, FAIA

Robert D. Fincham, AIA

Jonathan L. Fischel, AIA, LEED AP

Francisco G. Gonzalez, AIA

B. Todd Gritch, FAIA

Roy L. Gunsolus, AIA

Maureen Guttman, AIA

Walter Hainsfurther, AIA

J Thomas Harvey, AIA, FACHA

Jeffrey K. Haven, AIA

John Hesseler, AIA

Jeff Hill, AIA

William E. Hinton, AIA

Michael Hoagland

Kerry J. Hogue, AIA

Thomas R. Holt, AIA

Clifford H. Horsak, AIA

M. Teresa Hurd, AIA

John M. Hutchings, AIA

Paul Hyett, Hon. AIA

IMRE Communications

Dick Jackson

Jeffrey K. Jensen, AIA

J.K. Roller Architects

Bruce E. Johnson, AIA

Larry A. Johnson, PE

Richard D. Johnston, AIA

Mark Jones, AIA

Leevi Kiil, FAIA

Leonard Koroski, AIA

KPS Group, Inc.

Kirk J. Krueger, AIA

Sylvia Kwan, FAIA

Joseph P. Laakman, AIA, NCARB

Brian F. Larson, AIA

Jeff LaRue, AIA

Robert Lawrence, FAIA

Rick James Lee, Assoc. AIA

Robin Lee, Hon. AIA

Larry D. Le Master, CPA

Michael Lischer, AIA, RIBA

Clark Llewellyn, AIA

Stephen K. Loos, AIA

Marvin Malecha, FAIA & Cindy Malecha

Clark D. Manus, FAIA

Robert T. Martineck, AIA

John M. Maudlin-Jeronimo, FAIA

Susan Maxman, FAIA

Linda McCracken-Hunt, AIA & Thomas Hunt

Owen E. McCrory, AIA

Christine W. McEntee

Brian McFarlane, AIA

John McGinty, FAIA

Adam Melis

Elizabeth Mitchell, Hon. AIA

Norman T. Morgan, AIA

Rodney W. Morrissey, AIA

Mortar Net USA, LTD.

Robin L. Murray, AIA PP

Celeste Novak, AIA

Gregory Palermo, FAIA and Olivia Madison

Gordon Park, AIA

Raymond G. Post Jr., FAIA

Jack D. Price, Jr., AIA

David Proffitt, AIA

David E. Prusha, AIA

John H. Richardson, PE

Terry R. Richter, AIA

Jeffrey Rosenblum, AIA

Harry R. Rutledge, RIBA, FAIA

James A. Scheeler, FAIA

Charles E. Schwing, FAIA & Jerry Schwing

John C. Senhauser, FAIA

Oliver B. Stark II, AIA

Greg Staskiewicz, Assoc. AIA

RK Stewart, FAIA & Barbara Lyons, AIA

Craig R. Stockwell, AIA

Jeffrey C. Stouffer, AIA

James M. Suehiro, AIA, LEED AP

Anne-Marie Taylor

B. Kirk Teske, AIA

Leslie J. Thomas, AIA and Steven J. Bracy

Bryan K. Trubey, AIA

Larry J. Tuccio, AIA

Jeffrey D. Vandersall, AIA

Mark Vander Voort, AIA

Edward J. Vidlak, AIA

Michael Wayne Vela, AIA

David Vincent, AIA, ACHA

Craig Williams, AIA

Penelope J. H. Wright, AIA

Eric Zaddock

Andrew J. Zekany

 
Gold Medal Recipients
 
Pietro Belluschi, FAIA

Year Awarded: 1972
Born: August 18, 1899; Ancona, Italy
Died: 1994; Portland,Oregon

Quote
I still believe that style comes from understanding all the elements of a problem: space, access, view, sun, scale, intimacy, even love. —Interview by Meredith L. Clausen, http://www.aaa.si.edu/collections/oralhistories/transcripts/bellus83.htm


Projects

• 1980: San Francisco Symphony Hall, with SOM
• 1969: Juilliard School within the Lincoln Center, New York City
• 1969: Bank of America Center, San Francisco
• 1948: Equitable Savings & Loan Association Building, Portland, Ore.
• 1938: Sutor House, Portland, Ore.
• 1938: Portland Art Museum
• Cathedral of Saint Mary of the Assumption, San Francisco
• Pan Am Building, New York City (with Walter Gropius)


Biography

Pietro Belluschi was born in Ancona, Italy, in 1899 and lived there until he was six years old. In the autumn of 1905, his family moved to Rome, which he called home until he was 24, with the exception of 1911 to 1913, when his father was transferred to Bologna by the railroad company for which he worked.

Belluschi left high school at age 17 to fight in WWI with the Italian army. He wanted to become an officer but needed a diploma, which he studied at night to earn. He then attended officer's school in Turin for 45 days. After being commissioned as an officer, he was sent to the front in September 1917; he took part in the retreat of Caporetto, where he was nearly taken prisoner. He served in the army until 1920.

At that time, Belluschi enrolled in the University of Rome. As the university at that time had no architecture school, he earned a degree in civil engineering from the School of Applied Engineering in 1922.

In 1923 Belluschi spent a few months in Rome, working as inspector on a housing project. That year, he received a one-year exchange scholarship to study at Cornell University in New York. He took civil engineering courses and one course in architecture while there and obtained a civil engineering degree in 1924.

After graduating from Cornell, he went to Idaho, arriving in the small town of Kellogg with only two dollars in his pocket. He worked as a helper electrician in a mining company, staying there nine months while he earned about $600. At that point, he asked his boss if he would ask a local architect to write letters of introduction to architects on the west coast. The architect gave him a number of letters, including one to A.E. Doyle in Portland, Ore. He was told Doyle was most likely to have some work, so without writing ahead, he took the train to Portland and arrived there in April.

He joined the architecture firm of A.E. Doyle and worked tracing drawings. Doyle was impressed with his work, rewarding him with frequent raises. In 1925, Belluschi was assigned to the design department and quickly gained skills by observing and learning as much as possible. In 1927, the department head had to leave town very quickly after a personal scandal, so Belluschi became the new head of the design department in his place. He served as chief designer with A.E. Doyle for several years before becoming a partner in 1933.

During the early 1930s, when the Depression was at its worst, A.E. Doyle had little work, so in 1932 Belluschi returned to Italy to stay with his family. In 1934, when the market picked up a little, he returned to Oregon. In the mid-1930s he began to design houses. In 1943, Belluschi began to design under his own name. While working in Portland, Belluschi’s commercial work reflected the developing International style, while his housing and religious buildings reflected regional traditions and used local materials. He was a prominent contributor to the style known as Pacific Northwest Regionalism.

From 1951 to 1965, Belluschi served as dean of the M.I.T. School of Architecture and Planning. In 1958, he helped to establish a PhD degree in planning and in 1959 he cofounded with Harvard University the Joint Center for Urban Studies.

In 1954, Belluschi was made a Fellow of the Academy of Arts in Copenhagen, Denmark. In 1965, he became a consulting professor of architecture at the University of Oregon, Eugene, and in 1966 he was made the Thomas Jefferson professor of architecture at the University of Virginia in Charlottesville. Since 1965, he had an office in Boston.

In 50 years of practice, Belluschi designed more 1,000 buildings. Although his commercial designs owe much to the International Style, his domestic and religious work show a preference for regional traditions and native materials. Belluschi’s strove to combine beauty with usefulness.